Hal Leonard Style Series

LATIN JAZZ PIANO

The Complete Guide with CD!

Noten für Piano ••• Style Guide & 7 komplette Lead sheets ••• mit CD

Afro Cuban & Brazilian Jazz Piano basierend auf verschiedenen Rhythmen und Traditionen: Mambo • Cha Cha • Bossa Nova • Samba • Salsa • Afro Caribbean

Die prominentesten Pianisten dieses Stils sind: Eddie Palmieri • Chucho Valdez • Michel Camilo • Vince Guaraldi • Claire Fisher • Horace Silver • George Shearing • Chick Corea • Stan Getz • Joao Gilberto • u.a.

Ein Blick ins Buch
Hörproben
Alacha Piano Solo	Bossa Nozza Piano Solo
Mamba Mia Band-Begleitung	Bozza Nozza Band-Begleitung

Noten: Noten für Piano in der Rhythmus Sektion, in einem Ensemble als Lead Piano oder als Solo Piano. Lektionen und Beispiele, Bausteine für Chord Voicings, Comping, für typische Tunes, für Solos; außerdem 7 Lead Sheets.
Lektionen + Kommentare in englischer Sprache

CD: 79 Spuren: Beispiele, Piano solo - 7 Spuren zu den Lead sheets mit Band-Begleitung. Das Piano ist auf dem linken Stereo-Kanal isoliert, der Rest der Band auf dem rechten Stereo Kanal.

Niveau: 3-4 (anspruchsvolle Mittelstufe)
(Skala: 1 = ganz leicht bis 5 = professionell)

96 Seiten - Verlag: Hal Leonard - Keyboard (Piano) Style Series

This book is divided into three sections. The first covers Afro-Cuban (Afro-Caribbean) jazz, the second section deals with Brazilian influenced jazz – Bossa Nova and Samba, and the third contains lead sheets of the tunes and instructions for the play-along CD.

The Afro-Cuban section contains a chapter on some basic concepts of traditional Afro-Cuban music, including the clave, tumbao, and montuno. Also, there is a chapter on typical piano voicing used in Afro-Cuban music Latin jazz in general. Next is a chapter on typical comping patterns used in various Afro-Cuban styles such as Mambo, Cha-cha, etc. The last chapter in this section features tunes written in these various styles and arranged for lead instrument, piano and bass, piano lead, and piano solo.

The next section on Brazilian-related jazz begins with a chapter on the many varied rhythms typically used in comping for Bossa Novas and Sambas, and concludes with a chapter featuring tunes arranged in the same ways as the first section. The third section contains lead sheets of all the tunes so the reader can play and improvise on them along with the accompanying CD. The reader is encourage to continual change the way he or she plays these tunes and apply the principles found in this book to other tunes in the Latin jazz repertoire.